Posted inArts & Culture FilmFest Detroit offers a wealth of pop-up screenings this month — here are four you shouldn’t miss by George Elkind October 4, 2021March 26, 2024
Posted inArts & Culture James Wan’s ‘Malignant’ is a benign, happy piece of trash by George Elkind September 29, 2021August 7, 2025
Posted inArts & Culture Doc about Detroit’s Boblo Island history weaves a stranger-than-fiction ‘Ferry Tale’ by Jerilyn Jordan September 22, 2021August 8, 2025
Posted inArts & Culture In ‘Cry Macho’ cooking, not gunplay, is a cowboy’s thing by George Elkind September 22, 2021March 26, 2024
Posted inArts & Culture Paul Schrader gambles with ‘The Card Counter’ by George Elkind September 15, 2021March 26, 2024
Posted inArts & Culture Long live ‘Videodrome,’ the prescient cult classic screening at Hamtramck’s Film Lab this month by George Elkind September 3, 2021April 6, 2024
Posted inArts & Culture ‘Candyman’ sequel lacks sting by George Elkind September 1, 2021March 26, 2024
Posted inArts & Culture ‘The Night House’ exposes the horrors of not knowing your romantic partner by Eileen G'Sell August 25, 2021August 8, 2025
Posted inArts & Culture James Gunn takes minor D.C. characters on gleefully deranged ‘Suicide’ mission by George Elkind August 18, 2021March 26, 2024
Posted inArts & Culture An interview with director Liesl Tommy, who gives Aretha Franklin the ‘Respect’ she deserves by John Sims August 11, 2021May 13, 2025
Posted inArts & Culture Zany rock opera ‘Annette’ expertly embraces artifice by George Elkind August 11, 2021March 26, 2024
Posted inArts & Culture ‘The Green Knight’ will get medieval on your ass by George Elkind August 4, 2021April 17, 2024
