Posted inArts & Culture On Netflix, a new season of ‘Last Chance U’ – plus 11 other streaming premieres Steve SchneiderJuly 22, 2020March 26, 2024
Posted inArts & Culture Spike Lee’s ‘Da 5 Bloods’ offers a tour de force of Black and cinematic history Herb BoydJune 24, 2020August 1, 2025
Posted inArts & Culture Coogan and Brydon’s final ‘Trip’ is a worthwhile sojourn Cameron MeierMay 20, 2020July 14, 2025
Posted inArts & Culture ‘Ovid and the Art of Love’ imagines Ancient Rome with a Detroit twist George ElkindMay 13, 2020July 1, 2025
Posted inArts & Culture Russian breakout ‘Beanpole’ looks and feels like little else George ElkindApril 21, 2020June 1, 2025
Posted inArts & Culture ‘The Wild Goose Lake’ is a smart Chinese neo-noir George ElkindApril 14, 2020August 27, 2024
Posted inArts & Culture It’s the end of the world as we know it and I have Netflix (and other streaming services) Peg AloiApril 1, 2020September 25, 2024
Posted inArts & Culture ‘The Hunt’ should have stuck to its guns Corey HallMarch 18, 2020June 24, 2024
Posted inArts & Culture From ‘Outbreak’ to ‘Contagion,’ virus-themed movies trend on streaming channels Biba AdamsMarch 16, 2020March 26, 2024
Posted inArts & Culture With childlike and childish ‘Wendy,’ Benh Zeitlin hits a sophomore slump Cameron MeierMarch 11, 2020March 26, 2024
Posted inArts & Culture Michigan native directed the new Pixar movie ‘Onward’ Biba AdamsMarch 10, 2020June 11, 2025
Posted inArts & Culture Rock ’n’ roll photog-turned-director Autumn de Wilde’s ‘Emma.’ is a queen bee with a sting MaryAnn JohansonMarch 4, 2020December 29, 2024
