Posted inArts & Culture ‘Death on the Nile’ runs dry, but not without a few delights by Eileen G'Sell March 9, 2022March 26, 2024
Posted inArts & Culture In ‘The Worst Person in the World,’ romance is and isn’t easy by George Elkind March 7, 2022January 9, 2025
Posted inArts & Culture ‘The Batman’ does all the things a Batman movie should do by George Elkind February 28, 2022October 11, 2024
Posted inArts & Culture A director plays a real-life escape artist in made-in-Michigan ‘Chameleon Street’ by George Elkind February 22, 2022July 12, 2025
Posted inArts & Culture Zoë Kravitz stars in ‘Kimi,’ a techno-thriller for this moment by George Elkind February 14, 2022March 26, 2024
Posted inArts & Culture Espionage meets surprising bromance in ‘Munich: The Edge of War’ by Eileen G'Sell February 2, 2022August 3, 2025
Posted inArts & Culture New documentary explores devastating impact of human sex trafficking industry in metro Detroit by Steve Neavling January 27, 2022June 7, 2025
Posted inArts & Culture In Almodóvar’s ‘Parallel Mothers,’ history, loss, and romance reliably intersect by George Elkind January 25, 2022May 15, 2025
Posted inArts & Culture In Joel Coen’s ‘Tragedy of Macbeth,’ Denzel Washington steals the show by George Elkind January 18, 2022March 26, 2024
Posted inArts & Culture In ‘Drive My Car,’ life hits different in a Saab by George Elkind January 10, 2022July 15, 2025
Posted inArts & Culture Paul Thomas Anderson’s ’70s-set ‘Licorice Pizza’ offers up an experiential feast by George Elkind January 4, 2022September 26, 2024
Posted inArts & Culture ‘The Matrix Resurrections’ refuses to go where you think it will go by George Elkind December 23, 2021March 11, 2025
