Posted inArts & Culture ‘Top Gun: Maverick’ is only so bold by George Elkind May 23, 2022September 11, 2025
Posted inArts & Culture ‘Lux Æterna’ explores ideas of gender, power, and spectatorship on a witchy midnight movie film set by George Elkind May 16, 2022September 11, 2025
Posted inArts & Culture If Sam Raimi’s ‘Doctor Strange in the Multiverse of Madness’ is weird, your bar’s too low by George Elkind May 9, 2022September 11, 2025
Posted inArts & Culture Al Nuke’s ‘Detroit Dreams’ is like a Motor City version of ‘Krush Groove’ by Kahn Santori Davison April 28, 2022August 3, 2025
Posted inArts & Culture With Freep Film Festival and more, documentaries of all stripes land in metro Detroit by George Elkind April 26, 2022September 11, 2025
Posted inArts & Culture ‘Father Stu’ is a (very) mixed blessing by Eileen G'Sell April 21, 2022May 4, 2025
Posted inArts & Culture David Lynch’s newly restored ‘Inland Empire’ still conjures a feeling like nothing else by George Elkind April 18, 2022July 29, 2025
Posted inArts & Culture ‘You Won’t Be Alone’ is a gory, gorgeous feminist folktale by Eileen G'Sell April 18, 2022July 27, 2025
Posted inArts & Culture Combining bank heists and medical thrillers, ‘Ambulance’ rides a wild line by George Elkind April 11, 2022March 26, 2024
Posted inArts & Culture In ‘Wheel of Fortune and Fantasy,’ three stories of chance collide by George Elkind April 4, 2022May 20, 2025
Posted inArts & Culture ‘Ahed’s Knee’ offers a self-reflective critique of Israel by George Elkind March 30, 2022August 2, 2025
Posted inArts & Culture In Payal Kapadia’s ‘A Night of Knowing Nothing,’ a filmmaker trusts her viewers by George Elkind March 15, 2022October 5, 2024
