In case you missed it, Red Bull Music Academy has an interview with Alan Oldham, the illustrator and DJ whose comic book-influenced “big booties, stiletto heels, spaceships, and robots” defined the Afro-Futuristic look of Detroit techno.

In his own words: “Detroit techno, in my view, was originally about futurism,” he says. “Futuristic black music. Look no further than Juan Atkins for that. A lot of old sci-fi movies and TV shows portrayed a future that had no blacks in it. [Detroit techno] was a statement that black people would be around in the far future.”

Check out the full interview here.

Have something to share?

Leyland “Lee” DeVito is the editor in chief of Detroit Metro Times since 2016. His writing has also been published in CREEM, VICE, In These Times, and New City.

Leave a comment