Posted inArts & Culture ‘Candyman’ sequel lacks sting by George Elkind September 1, 2021March 26, 2024
Posted inArts & Culture James Gunn takes minor D.C. characters on gleefully deranged ‘Suicide’ mission by George Elkind August 18, 2021March 26, 2024
Posted inArts & Culture Zany rock opera ‘Annette’ expertly embraces artifice by George Elkind August 11, 2021March 26, 2024
Posted inArts & Culture ‘The Green Knight’ will get medieval on your ass by George Elkind August 4, 2021April 17, 2024
Posted inArts & Culture The beach body horror of M. Night Shyamalan’s ‘Old’ by George Elkind July 28, 2021June 22, 2025
Posted inArts & Culture Nicolas Cage rises from the muck in ‘Pig’ by George Elkind July 21, 2021July 21, 2025
Posted inArts & Culture The Motor City provides movie magic for Soderbergh’s ‘No Sudden Move’ by George Elkind July 7, 2021January 31, 2025
Posted inArts & Culture Pixar dips its toes into queer cinema, but it’s shallow by George Elkind June 23, 2021June 19, 2025
Posted inArts & Culture ‘In the Heights’ soars but lacks grounding by George Elkind June 16, 2021January 17, 2025
Posted inArts & Culture The best films of 2020 — a year when we couldn’t go to the movies George ElkindDecember 30, 2020August 31, 2024
Posted inArts & Culture ‘Ovid and the Art of Love’ imagines Ancient Rome with a Detroit twist George ElkindMay 13, 2020July 1, 2025
