Posted inArts & Culture Director Mike Mills draws inspiration from Detroit in ‘C’mon C’mon’ by George Elkind November 29, 2021March 26, 2024
Posted inArts & Culture Lady Gaga shines in Ridley Scott’s ‘House of Gucci,’ which otherwise falls short of fabulousness by George Elkind November 22, 2021January 16, 2025
Posted inArts & Culture In ‘Spencer,’ the People’s Princess drives a Ferrari by George Elkind November 17, 2021February 10, 2025
Posted inArts & Culture The Film Lab in Hamtramck is hosting a Paul Thomas Anderson series ahead of ‘Licorice Pizza’ by George Elkind November 10, 2021March 26, 2024
Posted inArts & Culture Wes Anderson’s ‘The French Dispatch’ is, as usual, a meticulously crafted film by George Elkind November 3, 2021March 26, 2024
Posted inArts & Culture ‘Last Night in Soho’ is a childish coming of age story by George Elkind October 27, 2021May 21, 2025
Posted inArts & Culture FilmFest Detroit offers a wealth of pop-up screenings this month — here are four you shouldn’t miss by George Elkind October 4, 2021March 26, 2024
Posted inArts & Culture James Wan’s ‘Malignant’ is a benign, happy piece of trash by George Elkind September 29, 2021August 7, 2025
Posted inArts & Culture In ‘Cry Macho’ cooking, not gunplay, is a cowboy’s thing by George Elkind September 22, 2021March 26, 2024
Posted inArts & Culture Paul Schrader gambles with ‘The Card Counter’ by George Elkind September 15, 2021March 26, 2024
Posted inArts & Culture Long live ‘Videodrome,’ the prescient cult classic screening at Hamtramck’s Film Lab this month by George Elkind September 3, 2021April 6, 2024
