Darren Aronofsky has long been obsessed with the frailty — and defilement — of the human body. From a heroin-addicted amputee in Requiem for a Dream (2000) to an aging, steroid-addled hardbody in The Wrestler (2008), from a bulimic ballerina in Black Swan (2010) to a pregnant trophy wife in Mother! (2017), the filmmaker’s most […]
