Dec 10-16, 1997

Dec 10-16, 1997 / Vol. 18 / No. 9

Color of a Brisk and Leaping Day

The road to bad films is often paved with good hype. None so much as those coming out of that promised land called Sundance (as in the film festival). Just as the fashion biz infuses the nebulous concept of “street” with strategic cachet, the entertainment world loves to use the swashbuckling image of the “independent”…

The Truce

The focus of the second annual Italian Film Festival/Great Lakes (at the Michigan Theater in Ann Arbor today-Saturday) is writer and director Francesco Rosi, whose films serve as a bridge between 1940s neorealism and contemporary Italian cinema. Eleven of Rosi’s films will be shown during the festival, including his latest, The Truce, at 7:30 p.m.…

The Big Sleep

It’s generally agreed that director Howard Hawks’ 1946 classic film noir The Big Sleep is one of the toughest detective films ever made, but not in the brass-knuckles sense. Its steely intransigence derives from the fact that no matter how many times you watch it, you’re never quite sure what the hell is going on.…


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