Posted inArts & Culture Review: ‘Family’ gives Juggalos some wicked clown love, is as sweet as Faygo Corey HallApril 26, 2019March 10, 2025
Posted inArts & Culture Review: It doesn’t even matter what critics think about 3-hour finale ‘Avengers: Endgame’ Corey HallApril 25, 2019March 26, 2024
Posted inArts & Culture Review: Aretha Franklin doc ‘Amazing Grace’ has soul George ElkindApril 24, 2019March 26, 2024
Posted inArts & Culture Review: ‘Wild Relatives’ doc offers an understated metaphor of the refugee crisis — through seeds George ElkindApril 17, 2019March 23, 2025
Posted inArts & Culture Review: ‘The Beach Bum’ doesn’t have a care in the world George ElkindApril 10, 2019December 18, 2024
Posted inArts & Culture New doc makes the case that ‘Creem’ magazine could only ever rise in Detroit Lee DeVitoApril 3, 2019October 11, 2024
Posted inArts & Culture Review: ‘Us’ is a messy, genuinely frightening sophomore effort from Jordan Peele George ElkindMarch 27, 2019February 11, 2025
Posted inArts & Culture Review: Tim Burton gets sentimental with smart ‘Dumbo’ remake Corey HallMarch 27, 2019February 20, 2025
Posted inArts & Culture What a postal route can teach us about Detroit Lee DeVitoMarch 6, 2019July 7, 2025
Posted inArts & Culture Review: Young star of ‘Capernaum’ dazzles George ElkindMarch 6, 2019August 4, 2025
Posted inArts & Culture Review: ‘Captain Marvel’ has a dash of ’90s girl power, but mostly exists to serve Disney’s quest for domination Corey HallMarch 5, 2019March 26, 2024
Posted inArts & Culture Nevermind the Oscars — here’s what we think are the year’s best flicks George ElkindFebruary 20, 2019August 2, 2025
