Posted inArts & Culture Review: In ‘How to Blow Up a Pipeline,’ nihilism is optimism by MaryAnn Johanson April 25, 2023September 11, 2025
Posted inArts & Culture ‘The Pope’s Exorcist’ is more of the same old religious-horror nonsense by MaryAnn Johanson April 18, 2023September 11, 2025
Posted inArts & Culture New ‘Dungeons & Dragons’ flick is a mess — and worst of all, not funny by MaryAnn Johanson April 10, 2023September 11, 2025
Posted inArts & Culture Cauleen Smith’s ‘Drylongso’ and Amir Naderi’s ‘The Runner’ show this weekend at Cinema Detroit and the DFT by George Elkind March 21, 2023September 11, 2025
Posted inArts & Culture ‘A Couple’ deals in bygone love and longtime loss by George Elkind March 15, 2023September 11, 2025
Posted inArts & Culture ‘Close’ struggles to capture the sense of intimacy it promises by George Elkind March 6, 2023September 11, 2025
Posted inArts & Culture Three quasi-westerns by Kelly Reichardt examine America in Cinema Lamont film series by George Elkind March 3, 2023September 11, 2025
Posted inArts & Culture With an anniversary re-release, ‘Titanic’ proves unsinkable by George Elkind February 21, 2023September 11, 2025
Posted inArts & Culture ‘Magic Mike’s Last Dance’ centers the work of making a fantasy by George Elkind February 13, 2023September 11, 2025
Posted inArts & Culture Two short films about Detroit painters are headed to PBS by Randiah Camille Green February 10, 2023May 22, 2025
Posted inArts & Culture M. Night Shyamalan and Brandon Cronenberg each seek thrills their own way by George Elkind February 6, 2023September 11, 2025
Posted inArts & Culture Indie horror flick ‘Skinamarink’ is a surreal hit, experienced through the eyes of children by Konstantina Buhalis February 2, 2023September 11, 2025
