Posted inArts & Culture ‘Searching for Sugar Man’ film screening to honor late Sixto Rodriguez by Randiah Camille Green September 25, 2023September 11, 2025
Posted inArts & Culture At 39, the newly restored ‘Stop Making Sense’ is as exuberant and wonderful as ever by Craig D. Lindsey September 20, 2023September 11, 2025
Posted inArts & Culture Noir City Detroit celebrates gritty, black-and-white films at Redford Theatre by Steve Neavling September 19, 2023September 11, 2025
Posted inArts & Culture In ‘A Haunting in Venice,’ Kenneth Branagh takes a liberal hand with Britain’s best-loved author by Cliff Froehlich September 14, 2023September 11, 2025
Posted inArts & Culture The ‘Big Fat Greek Wedding’ cast reunites for a third-rate adventure by Kayla McCulloch September 8, 2023September 11, 2025
Posted inArts & Culture Detroit Black Film Festival returns with 74 independent films by Steve Neavling September 7, 2023September 11, 2025
Posted inArts & Culture Zany and fearless, ‘Bottoms’ takes on high school from a raunchy lesbian point of view by Craig D. Lindsey September 5, 2023September 11, 2025
Posted inArts & Culture Movies will once again be affordable on National Cinema Day by Jenna Jones August 21, 2023September 11, 2025
Posted inArts & Culture ‘Gran Turismo’ tells the thrilling (true!) story of a video gamer who became a race car sensation by Craig D. Lindsey August 21, 2023September 11, 2025
Posted inArts & Culture ‘Landscape with Invisible Hand’ envisions alien invasion as corporate takeover by Cliff Froehlich August 17, 2023September 11, 2025
Posted inArts & Culture Despite its clichéd protagonist, Randall Park’s debut is a film worth seeing by Kayla McCulloch August 3, 2023September 11, 2025
Posted inArts & Culture Lapointe: ‘Barbie’ wins over ‘Oppenheimer,’ but both are worth a look by Joe Lapointe July 31, 2023September 11, 2025
