Posted inArts & Culture Spielberg’s semi-autobiographical ‘The Fabelmans’ reframes an early love of film by George Elkind November 28, 2022September 11, 2025
Posted inArts & Culture ‘The Banshees of Inisherin’ asks what it means to be nice by George Elkind November 21, 2022September 11, 2025
Posted inArts & Culture The director of ‘Nashville’ and ‘M*A*S*H’ gets an informal retrospective in Detroit this week by George Elkind November 14, 2022September 11, 2025
Posted inArts & Culture In school-age drama ‘Armageddon Time,’ rules prove hard to follow by George Elkind November 7, 2022September 11, 2025
Posted inArts & Culture This old silent film is playing in Detroit — and the actors steal the show by George Elkind November 1, 2022September 11, 2025
Posted inArts & Culture With Korean thriller ‘Decision to Leave,’ Park Chan-Wook smartly updates classic noir by George Elkind October 24, 2022September 11, 2025
Posted inArts & Culture In comic satire ‘Triangle of Sadness,’ class unrest brews at sea by George Elkind October 18, 2022September 11, 2025
Posted inArts & Culture Bright performances and a jaundiced view anchor ‘Stars at Noon’ by George Elkind October 10, 2022September 11, 2025
Posted inArts & Culture ‘Lust for Life’ paints Van Gogh — convincingly — as a realist by George Elkind October 5, 2022September 11, 2025
Posted inArts & Culture In Netflix’s Marilyn Monroe biopic ‘Blonde,’ celebrity feels hollow by George Elkind September 26, 2022September 11, 2025
Posted inArts & Culture Noir City film fest brings a world of classic movies to Detroit’s Redford Theatre by George Elkind September 19, 2022September 11, 2025
Posted inArts & Culture Coppola’s Detroit auto drama ‘Tucker: The Man and His Dream’ is a wild ride by George Elkind September 12, 2022September 11, 2025
