Movies

Noir City Detroit celebrates gritty, black-and-white films at Redford Theatre

In ‘A Haunting in Venice,’ Kenneth Branagh takes a liberal hand with Britain’s best-loved author

The ‘Big Fat Greek Wedding’ cast reunites for a third-rate adventure

Detroit Black Film Festival returns with 74 independent films

Zany and fearless, ‘Bottoms’ takes on high school from a raunchy lesbian point of view

In ‘Between Two Worlds,’ a French journalist goes undercover to explore the lives of the working-class — but the story is all about her

Movies will once again be affordable on National Cinema Day

‘Gran Turismo’ tells the thrilling (true!) story of a video gamer who became a race car sensation

‘Landscape with Invisible Hand’ envisions alien invasion as corporate takeover

Despite its clichéd protagonist, Randall Park’s debut is a film worth seeing

Lapointe: ‘Barbie’ wins over ‘Oppenheimer,’ but both are worth a look

‘Talk to Me’ and ‘Haunted Mansion’ use horror to explore real-world pain, with differing results

‘Barbie’ is existential brilliance — and also a lot of fun

‘Oppenheimer’ does something all too rare in Hollywood: It trusts its audience

With a first-rate Tom Cruise battling an A.I. villain, the new ‘Mission: Impossible’ continues a legacy of excellence

In ‘Joy Ride,’ a trio of Asian American women brings a fresh perspective to raunchy comedy, with mixed results

Cinema Detroit hosts pop-up series of outdoor movies this summer

Harrison Ford is somehow still fighting Nazis in ‘Indiana Jones and the Dial of Destiny’

In ‘Past Lives,’ writer-director Celine Song explores the pull of lost loves and lives unlived

In ‘Asteroid City,’ Wes Anderson stages an alien invasion as only Wes Anderson can