Wednesday, September 22, 2004


Posted By on Wed, Sep 22, 2004 at 12:00 AM

In Joel Schumacher’s Phone Booth (2002), Colin Farrell is held at gunpoint by a sniper. If he leaves the booth or hangs up, he’ll be shot. Similarly, David Ellis’ Cellular features Kim Basinger as a kidnapped housewife who uses a random call connection on a severely damaged phone to steer beach bum Chris Evans to her rescue. The tagline: “If the signal dies, so does she.”

No, this isn’t the beginning of yet another trend in fiber optic-themed suspense films. Both Phone Booth and Cellular came from the mind of Larry Cohen, one of the schlock genre’s most prolific writer-directors. When it comes to taking low concepts and making the most of them, Cohen has few equals. The concept of these two films — someone trapped on a phone — couldn’t be simpler; but it wasn’t that interesting the first time, and merely switching the plot around doesn’t justify a second go at it.

Cellular is pure formula: a dialogue-heavy script, peppered with wit, violence, and engaging chase scenes. It’s distinguished by the talent of William H. Macy, a few hilarious character bits (scenes featuring the obnoxious lawyer who gets carjacked by Evans are priceless), and the gimmick itself: cellular phones.

While it may be true that in this age of accelerated technological dependence cell phones are as essential to the average person as air or water, Cellular’s obsessive riffing on the phenomenon is as annoying as cell phones themselves. While the film could have easily been a subversive criticism of these gadgets, Cellular’s sarcastic statement never surpasses cheesy sight gags. As cable TV fodder for insomniacs, the film functions on a perfunctory level, but it falls far short of first-run caliber entertainment.

Let’s hope that Larry Cohen is satisfied now that Internet Café and its own rethought doppelgänger Broadband are not forthcoming.

Gene Gregorits writes about film for Metro Times. E-mail [email protected].


We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at [email protected].

Support Local Journalism.
Join the Detroit Metro Times Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Metro Times Press Club for as little as $5 a month.

More by Gene Gregorits

Read the Digital Print Issue

January 19, 2022

View more issues


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Best Things to Do In Detroit

© 2022 Detroit Metro Times - Contact Us

Website powered by Foundation