Detroit could be a techno hub year-round. Here’s what city government is doing about it 

Beyond Movement

Page 2 of 3

Strained relationship

The end of Tires marked a new low in the revitalizing city’s relationship with the creative community many credit with having helped fuel its rebirth. It came as the nonprofit group, the Detroit-Berlin Connection, was encouraging the city to loosen laws surrounding night life with the idea that Detroit, the birthplace of techno music, could, like Berlin, become a hub for techno tourism and bring in up to hundreds of millions of dollars in additional revenue each year.

“If Detroit can’t advocate for a space like Tires, that [shows] Detroit doesn’t understand its own legacy in some ways,” Garret Koehler, the founder of music collective Assemble Sound, said in a short documentary created after the venue closed.

Jeff Heron, a lawyer and who patronized the club, noted that “techno was invented” in places like Tires, and that that the energy that fuels the genre’s artists cannot be found “in a nice building.”

Tires was just one spot or event to go down in a string of crackdowns in 2016 and 2017. Last year during Movement, cops stormed an annual party by renowned DJ-producer Theo Parrish, “threatening hosts and attendees of color with violence and incarceration,” he said in a social media post published after the incident. “Officers openly told attendees that they ‘wanted to scare’ people who they put into police cars ... for infractions that were punishable by fines at best.” The reaction came as a shock to guests, he said, as the so-called Music Gallery parties were intended to “create a powerful musical experience devoid of the distractions of phones, photos, [and] drugs.”

Over that same long weekend, Grenadier, a popular underground after-hours that helped fill the void left by Tires, closed its doors due to what former owner Kristen Zahr describes as ongoing harassment from the city and its police department.

“Basically every time I would pass a fire inspection or a building inspection, the very next big party they would come in there at midnight or 2 a.m. to give me a ticket for something silly like an extension cord,” says Zahr. ”Lights would have to come on, customers [would] leave."

“Between court costs and constant party shutting down it was impossible [to stay in business].”

Many in the nightlife community have attributed the increased law enforcement and government scrutiny of parties to Detroit’s post-bankruptcy redevelopment.

“Before there was no one here to disturb,” says Jason Huvaere, founder and president of Paxahau, the promotion company behind Movement. “Now we’re dealing with new people from new places.”

Others have chalked it up to increased resources. It has always been city government’s job to ensure buildings are up to code and to address nuisance complaints, but now, with its fiscal house in order, Detroit is better equipped to fulfill those responsibilities. It’s worth noting, however, that amid the party crackdown, the city, citing a shortage of inspectors, allowed an estimated 50,000 residential rental units to stay in operation despite the fact that they hadn’t been properly inspected and were likely in violation of building safety codes. (The city recently launched an initiative to bring all of its residential rental properties up to code by 2020.)


“From an underground perspective, the city is growing up and around us and pushing us back down,” says Huvaere. “Arts and culture have always been like the side issue to development and there are a lot of people who put it out in front of their conversation, but not out in front of their policies and priorities.”

For Huvaere, whose company puts on about 50 parties each year in addition to producing Movement, there are two main obstacles holding Detroit back from being a year-round hub for electronic music: The 2 a.m. bar closing time and the lack of spaces in which to hold events.

“Non-conventional venues and hours of operation are critical in the dance music culture,” says Huvaere. “But Detroit has never established a late night entertainment permitting process … [and] though it’s full of empty spaces, they’re not up to date, and they’ve been empty for so long that getting an occupancy permit can prove challenging.”

He points to New York, Los Angeles, and Miami as cities where it’s far more easy to secure different types of venues and party later into the night without issue.

“Whether it’s a regular bar or club or an event space that is up to code and can stay open late, or a clear application process that includes safety, liquor licensing, or capacity levels — there’s a very established protocol and it would put Detroit in a very competitive position for entertainment if those processes existed here,” he says.

click to enlarge Detroit Mayor Mike Duggan visits Submerge, home of acclaimed label Underground Resistance, to hear a pitch to make the city an international hub for techno and nightlife. - RAPHAEL MERRIWEATHERS JR.
  • Raphael Merriweathers Jr.
  • Detroit Mayor Mike Duggan visits Submerge, home of acclaimed label Underground Resistance, to hear a pitch to make the city an international hub for techno and nightlife.
New approach

In the past year, since Mayor Mike Duggan met for the first time with some of Detroit’s DJs, producers, and promoters at Submerge, home of acclaimed techno label Underground Resistance, the city has taken steps to create an environment more conducive to nightlife. The Duggan administration has thrown its support behind a bill in the state Senate that would allow the city to extend last call to 4 a.m. It is working on an ordinance that would entice developers to soundproof music venues. But most importantly for the nightlife community, Duggan’s director of customer service has taken on the role of nightlife liaison.


Known colloquially as the “Night Ambassador,” Adrian Tonon has for the past year mediated conflicts between venues operators and their neighbors, and helped party throwers overcome bureaucratic hurdles. He’s also taken two trips to Berlin — one of them just last week — to see how that city has turned techno into an economic engine.

“His role is mission critical for what we’re trying to do,” says Angie Linder, president of the Detroit-Berlin Connection. “He’s helping make it so these venues are working legally by connecting all the dots.”

Tonon’s background in government and music promotion makes him uniquely suited for the role, and he’s had success in getting more party throwers to take their underground activities above board. From Tonon’s perspective, it’s a win-win: By checking all of the regulatory boxes, parties don’t get busted, and the city manages to harness the creative energy that sets it apart while keeping people safe.

"At the end of the day, the mayor’s objective is to create a city environment folks want to live, work, and play in sustainably — not to where you create a space that’s really cool and you get displaced," he says. "Hopefully this is a new day and we’re going to reestablish Detroit as a creative epicenter."

But he says the city won’t compromise the well-being of its citizens to make that happen.

“Safety is number one,” he says. “If you’re caught [hosting an illegal party,] you’re going to get a ticket and you’re going to go to court. We have to enforce our safety codes because it’s not just about that promoter, it’s about the people they’re bringing into that space. We have to protect them.”



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