This is a past event.
"What's a 53-year-old woman doing making her first solo record?" muses Saliers, best known as one half of the iconic duo Indigo Girls. "What compels someone like me to follow this strong attachment to rhythmic music?"
"Murmuration Nation" answers those questions both passionately and profoundly. In this "post-fact" era in which we find ourselves living today, Saliers' fearless voice and insightful perspective feel more vital and relevant than ever before. The songs also reveal a new side of Saliers' artistry, one that even her most ardent fans might not expect to hear. "It was so freeing to pursue the kind of music I truly wanted to make without regard to what I'd done before or who I'm expected to be," says Saliers. I hope that this record can take people who think they know me already on a journey that'll really surprise them."
While Indigo Girls is still very much alive and well, Murmuration Nation is Saliers' first release under her own name, and it's a surprising journey indeed. The record brims over with life and energy, blurring both musical and geographical boundaries as Saliers breaks down barriers with a bold and infectious spirit of adventure. Recorded with an all-star band-including bassist Tim LeFebvre (David Bowie, Tedeschi Trucks Band), keyboardist Rachel Eckroth (KT Tunstall), and drummers Robert "Sput" Searight (Snarky Puppy) and Will Calhoun (Living Colour)-and featuring guest appearances from fellow luminaries like Lucy Wainwright Roche, Jonatha Brooke, and Jennifer Nettles, the album explores the kind of rhythmically centered, globally inspired music that's always held a special place in Saliers' heart.
Known for their outspoken political activism in addition to their brilliant songwriting, Indigo Girls became a household name and a fixture of American pop culture, but Saliers has never been one to rest on her laurels. Throughout her rise to stardom, she toyed with the idea of recording a solo album that combined her love of folk storytelling with her passion for the grooves and beats of that "body music" she'd always been so innately drawn to.
The result is a record that defies easy categorization, with Saliers effortlessly mixing disparate musical traditions underneath poetic lyrics that take their cues from the natural world around us.
"There are a lot of heavy, serious topics on this album," says Saliers, "but there's also a lot of whimsical groove and pop to it. That mix is important to me because it's like the ebb-and-flow, peak-and-valley journey of life. I think this record is very reflective of my personality. I need fast and I need slow; I need grooves and I need a little bit of edge."
In the end, it all comes down to balance: artistically, emotionally, spiritually. The album showcases a side of Saliers that few knew she carried within her, but one that burns as bright today as it did when she was just a youngster discovering the wide world of music around her. Thirty years is a long wait for a debut, but with Murmuration Nation, it feels like Emily Saliers is right on time