Help Us Keep Reporting. Donate to Detroit Metro Times.

Dark comedy with a ‘Punch’ 

click to enlarge Mia Wasikowska in Judy & Punch.

Mia Wasikowska in Judy & Punch.

Judy & Punch
Run-time: 105 minutes

Punch and Judy puppet shows have been a staple of British entertainment for nearly four centuries. Imported from Italy in the 17th century and inspired by the commedia dell'arte, they have amused and shocked generations of English children with their slapstick comedy and marionette mischief.

Now, in her feature debut, Australian writer-director Mirrah Foulkes has cleverly reimagined the show's origins. Heretofore better known as a television actress, Foulkes, with Judy & Punch, posits a real-life Mr. Punch and his wife, Judy, as accomplished puppeteers. But while Punch pulls the strings in the two-person act, he pulls no punches in their relationship, resorting to domestic violence fueled by alcoholism. And consistent with the Punch and Judy tradition, he even harasses his dog and hates his baby.

As Punch, Damon Herriman brilliantly balances comedy and tragedy. (Quirky, evil guys must come easy for him, as he recently played Charles Manson in both Once Upon a Time in Hollywood and the Netflix series Mindhunter). And as Judy, Mia Wasikowska is wonderful except during a sandwiched stretch in the second act when she is adopted by a group of outcasts. But that subplot's failings have more to do with a slightly unfocused script than with Wasikowska. (Oh, and watch for nice supporting turns from Lucy Velik as Punch's assistant and Benedict Hardie as the town constable.)

Despite its brutality, Judy & Punch is, at times, a riotous comedy, which is remarkable, considering the dark subjects and graphic violence. Indeed, I can't remember the last time I laughed at infanticide since, well, a Punch and Judy show. If that provokes offense, Foulkes' film might not be your bag. But if you're intrigued so far, read on.

The couple resides in a strange community seemingly born of a Grimm fairy tale, with little sense of place or time. Named Seaside, the village is described as "somewhere in the countryside, nowhere near the sea." And though it's probably in 17th-century England, to match the real Punch and Judy origins, the accents range from modern British to Cockney to Irish. Even the music is anachronistic, featuring everything from Leonard Cohen to Johann Sebastian Bach. Yet this is one Baroque film that doesn't need fixing.

The villagers need fixing, though, as their attitudes are as landlocked as their town. Titillated by stoning to death suspected witches, they are understatedly described as "prone to superstition more and more by the day." And therein lies the movie's social commentary, which is noticeable, yet rarely overbearing. Still, some critics, perhaps overeager to emphasize the zeitgeist — a term that is becoming increasingly tiring — are suggesting the film exists almost exclusively to reflect the Me Too movement. While there is no denying the female-centric focus and title, Judy & Punch succeeds more because of its Terry Gilliamesque weirdness than any message Foulkes might be sending.

There are even some who might see the film as an all-out attack on the Punch and Judy tradition itself. Though that interpretation is understandable, I would advise you not to be a puppet of the politically correct. Instead, watch the film and make up your own mind. I'll be interested in your opinion — no strings attached.

Stay on top of Detroit news and views. Sign up for our weekly issue newsletter delivered each Wednesday.

We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at letters@metrotimes.com.

Detroit Metro Times works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Detroit and beyond.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Detroit's true free press free.

Read the Digital Print Issue

July 8, 2020

View more issues

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Best Things to Do In Detroit

© 2020 Detroit Metro Times - Contact Us

Website powered by Foundation