29 bizarre stills from Ann Arbor Film Festival entries

The 54th Festival will feature more than 200 films, videos, and live performances with over 30 world, North American, and U.S. premieres. The festival runs March 15-20.

Tickets and more information available here.

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The Prison in 12 Landscapes
(Brett Story, 2016, 87min)
A meditation on the prison’s disappearance in the era of mass incarceration, The Prison in Twelve Landscapes unfolds as a journey through a series of ordinary places across the USA.
Showing Thursday, March 17 9:15pm
The Prison in 12 Landscapes (Brett Story, 2016, 87min) A meditation on the prison’s disappearance in the era of mass incarceration, The Prison in Twelve Landscapes unfolds as a journey through a series of ordinary places across the USA. Showing Thursday, March 17 9:15pm
The Prison in 12 Landscapes
(Brett Story, 2016, 87min)
A meditation on the prison’s disappearance in the era of mass incarceration, The Prison in Twelve Landscapes unfolds as a journey through a series of ordinary places across the USA.
Showing Thursday, March 17 9:15pm
The Prison in 12 Landscapes (Brett Story, 2016, 87min) A meditation on the prison’s disappearance in the era of mass incarceration, The Prison in Twelve Landscapes unfolds as a journey through a series of ordinary places across the USA. Showing Thursday, March 17 9:15pm
The Event
(Sergei Loznitsa, 2015, 74 min)
The Event is constructed from black-and-white 35mm footage shot by eight independent documentary filmmakers in St. Petersburg in August, 1991 when a failed coup d’état attempt led by a group of hard-core communists.
Showing Sunday, March 20 3:00pm
The Event (Sergei Loznitsa, 2015, 74 min) The Event is constructed from black-and-white 35mm footage shot by eight independent documentary filmmakers in St. Petersburg in August, 1991 when a failed coup d’état attempt led by a group of hard-core communists. Showing Sunday, March 20 3:00pm
The Event
(Sergei Loznitsa, 2015, 74 min)
The Event is constructed from black-and-white 35mm footage shot by eight independent documentary filmmakers in St. Petersburg in August, 1991 when a failed coup d’état attempt led by a group of hard-core communists.
Showing Sunday, March 20 3:00pm
The Event (Sergei Loznitsa, 2015, 74 min) The Event is constructed from black-and-white 35mm footage shot by eight independent documentary filmmakers in St. Petersburg in August, 1991 when a failed coup d’état attempt led by a group of hard-core communists. Showing Sunday, March 20 3:00pm
The Host 
(Miranda Pennell, 2015, 60 min)
While investigating her late parents’ involvement with the Anglo-Iranian Oil Company (now BP) the filmmaker comes across the letters of a petroleum geologist in Iran who embarked on a search.
Showing Saturday, March 19 7:00pm
The Host (Miranda Pennell, 2015, 60 min) While investigating her late parents’ involvement with the Anglo-Iranian Oil Company (now BP) the filmmaker comes across the letters of a petroleum geologist in Iran who embarked on a search. Showing Saturday, March 19 7:00pm
time/OUT OF JOINT
(Caspar Stracke, 2015, 75min)
time/OUT OF JOINT probes the framework of the human condition by aiming to disrupt its incongruous and programmatic fate - life’s finitude marked by death. 
Showing Saturday, March 19 9:15pm
time/OUT OF JOINT (Caspar Stracke, 2015, 75min) time/OUT OF JOINT probes the framework of the human condition by aiming to disrupt its incongruous and programmatic fate - life’s finitude marked by death. Showing Saturday, March 19 9:15pm
Thoth in the Kaleidoscope UFO 
(Tom Carey, 2016, 9 min)
Live Performance Thoth, the dog-faced baboon god of ancient Egypt, is taken on a trip through outer space by a group of extra terrestrials. Thoth’s journey is projected live on screen using shadow.
Showing Saturday, March 19 11:00am
Thoth in the Kaleidoscope UFO (Tom Carey, 2016, 9 min) Live Performance Thoth, the dog-faced baboon god of ancient Egypt, is taken on a trip through outer space by a group of extra terrestrials. Thoth’s journey is projected live on screen using shadow. Showing Saturday, March 19 11:00am
The Lighted Field 
(Andrew Noren, 1987, 62 min)
"Noren's films were among the most visually intense and overwhelming films ever created, incorporating relentless barrages of imagery, rapid in-camera editing, incredible single-framing and time lapse photography.
Showing Wednesday, March 16 7:00pm
The Lighted Field (Andrew Noren, 1987, 62 min) "Noren's films were among the most visually intense and overwhelming films ever created, incorporating relentless barrages of imagery, rapid in-camera editing, incredible single-framing and time lapse photography. Showing Wednesday, March 16 7:00pm
D'est (From the East) 
(Chantal Ackerman, 1993, 110 min)
Chantal Akerman, with her cinematographers Rémon Fremont and Bernard Delville, retrace a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow.
Showing Friday, March 18 5:00pm
D'est (From the East) (Chantal Ackerman, 1993, 110 min) Chantal Akerman, with her cinematographers Rémon Fremont and Bernard Delville, retrace a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. Showing Friday, March 18 5:00pm
Counting 
(Jem Cohen, 2015, 111 min)
In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. 
Showing Wednesday, March 16 9:15pm
Counting (Jem Cohen, 2015, 111 min) In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Showing Wednesday, March 16 9:15pm