Wednesday, November 7, 2007

Concept 1

Posted By on Wed, Nov 7, 2007 at 12:00 AM

In 1996, Richie Hawtin, then of Windsor, was among a handful of techno producers attempting to resize the global dance party to fit inside listeners' heads. Wolfgang Voigt was at it in Cologne, while Berliners Mark Ernestus and Mortitz von Oswald were throwing dirt on the music's formulaic 4/4 beat with their wide-ranging Basic Channel productions, finding new rhythms and sounds by reducing pitch and creating space for their increasingly languorous effects-laced tracks.

Hawtin's approach, however, was more skeletal. Concept 1 — released on his own Plus 8 label via a series of 12-inch vinyl records over a 12-month period and then later collected on a single CD — showed how deep mental techno could go without losing its physical kick. The tracks appeared to have been freeze-dried and de-humidified, stripped of all extraneous fat and color. They resembled gray and brittle blank canvases, "sketched" with unexpected hi-hats on top, gurgles and pops in the midrange, and an ever-present subsonic boom at the bottom. Titles used futuristic numerical jargon that revealed nothing if not the music's anonymity. What did "5:00 v. 1" or "24:00 v. 2" mean in 1996? Yet, the music on the Concept 1 series stood heads apart from nearly everything else being made 11 years ago. And it still does today, which is no doubt why a re-mastered version has just been released by Hawtin's now Berlin-based Minus imprint.

The limited double-pack CD includes Concept 1/Variations, Cologne-based producer Thomas Brinkmann's inspired re-interpretation of Hawtin's series, using a customized turntable he developed with two tone arms. The effect is to open up the sound even more and then fill in the gaps with overlooked and accidental sonic information found on the original recordings. What was dry becomes wet here; what appeared buried in the rubble is now free to shimmer and sway. And the audio mutations are enhanced even more, thanks to Stefan Betke (aka Pole), the famed Berlin studio engineer who did all the remastering.

Walter Wasacz writes about music for Metro Times. Send comments to


We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at

Detroit Metro Times works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Detroit and beyond.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Detroit's true free press free.

Read the Digital Print Issue

April 14, 2021

View more issues


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Best Things to Do In Detroit

© 2021 Detroit Metro Times - Contact Us

Website powered by Foundation